Work samples
About Kirk
Baltimore City
Kirk Amaral Snow is a Baltimore-based intermedia artist whose practice investigates the relationship between the built world and performative aspects of culture. He holds BA’s in Art History (2002) and Studio Art (2003) from the University of Rhode Island, and an MFA from Tufts University/School of the Museum of Fine Arts, Boston (2011). Amaral Snow has exhibited and performed both nationally and internationally at The Franklin (Chicago, IL), Gallery Kayafas (Boston, MA), Proof (Boston, MA),… more
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MORE DOING
ICA Baltimore
11/9/18-12/8/18
For the last decade, Kirk Amaral Snow has developed a body of work that investigates the relationship between the built world and performative aspects of culture. Drawing on an immediacy inherited from the DIY Punk scene, he makes simple, poetic objects that reference encounters with vernacular building as a contrast to highly crafted design.
11/9/18-12/8/18
For the last decade, Kirk Amaral Snow has developed a body of work that investigates the relationship between the built world and performative aspects of culture. Drawing on an immediacy inherited from the DIY Punk scene, he makes simple, poetic objects that reference encounters with vernacular building as a contrast to highly crafted design.
With MORE DOING, Amaral Snow digs deeper into the language of home-center improvement projects and YouTube “Do-It-Yourself” design. Displaying gestures and materials that echo and repeat, the works in the exhibition reveal a process of iteration and experimentation often absent from polished media representations of “making”.
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Race To Finish LastRace To Finish Last | PVC Pipe and Polycarbonate Panel | 72" x 96" x 24" | 2018
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Just Comfortable EnoughJust Comfortable Enough | Performance with Plywood Stools and PVC Lamp | 30-Minute Duration | 2018
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Once CalledOnce Called | Steel Studs, Cedar Shims, and Wood | 103" x 138" x 78" | 2018
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Search For OurselvesSearch For Ourselves | Steel Stud, Speed Square, and Clamp | 66″ x 39″ x 30" | 2017
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The Unknown GlowThe Unknown Glow | Pine Board and PVC Pipe | 72" x 53" x 3.5" | 2018
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Running In PlaceRunning In Place | Steel Stud and Spring Clamps | 67″ x 5″ x 7" | 2017
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The Fortunate OneThe Fortunate One | PVC Pipe and Wood | 55" x 23" x 3.5" | 2018
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Advice TakenAdvice Taken? | Pressure-Treated Lumber, Homer Buckets, Ratchet Strap, Concrete, and Sand | 105" x 73" x 78" | 2018
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Sterile TraditionSterile Tradition | PVC Lattice Panels | 86" x 96" x 54" | 2018
The Lonesome Crowded…
Solo exhibition at The Distillery Gallery (Boston, MA).
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The Lonesome Crowded…The Lonesome Crowded… | Installation Shot | 2015
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Fact Leaves a GhostStair Stringer, Concrete, Sign Stand, and Rigid Foam | 60” x 61” | 2015
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TranseptTarp, Steel Stud, Screws, and Tape | 8’ x 9’ x 4’ | 2014
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Half-FriendHalf-Friend | Waferboard and Sign Stand | 20” x 26.5” | 2015
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InfrastructureInfrastructure | Pine Studs and Crutch | 6’x8’x5’ | 2013-2015
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Spire (detail)Spire | Tarp, Steel Studs, and Tape | 59” x 38” x 48” | 2015
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SpireSpire | Tarp, Steel Studs, and Tape | 59” x 38” x 48” | 2015
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CornerstoneCornerstone | Concrete and Plastic Storage Bins | Dimensions Variable | 2015
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Holding This MomentHolding This Moment | Pine and Sawhorse Brackets | 6’ x 2’ x 4" | 2014
LEANDRO & AMARAL SNOW
Works from a two-person exhibition with Melissa Leandro at The Franklin (Chicago, IL), co-sponsored by ACRE.
Live Works
Select performances and live works.
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Untitled (Studio Soto)Performance with Sand, Empty Sandbags, and Utility Knife | Studio Soto (Boston, MA) | 2013 | photos by Daniel DeLuca
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Untitled (8-Hour Projects Performance)8-hour Performance with Sandbags, Glasses, Pitcher, and Water | Allegheny College (Meadville, PA) | 2013
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What Lies Beneath (5)Five-Hour Performance with Drywall, Spackle, and Screws | MEME Gallery (Boston, MA) | 2010
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Untitled (Fonderie Darling)30-minute Performance with Sandbags | Fonderie Darling (Montreal, QC) | 2012
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It’s Hard to Stand on My OwnPerformance with Plaster, Sandbags, and Modified Crutches | Grace Exhibition Space (NYC) | 2011
Additional Sculpture 2009-2014
Additional sculptural works produced between 2010-2014.
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Set Us ApartSet Us Apart | Plastic Chair and Concrete | 22” x 24” x 36” | 2013-2017
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Market RelianceMarket Reliance | Pine, Corrugated Plastic, and Fluorescent Vinyl | 30" x 39" x 92" | 2013
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When Transition Becomes StasisLadder, Drywall, Aluminum Studs, Adjustable Clamps, Joint Compound, and Paint | 2’ x 4’ x 8’ | 2010
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Conspicuous ConsumptionCardboard, Packing Tape, and PVA | 18” x 16” x 72” | 2010
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PalisadeQuikrete and Reflective Driveway Markers | Dimensions Variable | 2012
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Poor OutlookPine, Concrete Bricks, Corrugated Plastic, and Fluorescent Vinyl | 30" x 33" x 50" | 2012
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We’ll Get Back To YouPine, Concrete Bricks, Corrugated Plastic, and Fluorescent Vinyl | 30" x 39" x 20" | 2012
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Sometimes It’s Hard To Go OnBook of Portuguese Fairytales, Two Fans, and Pine Platform | 40” x 20” x 10” | 2009
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What Lies BeneathPlywood, Molding, Screws, Interior Paint, and Primer | Dimensions Variable | 2011
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Traditional ValuesCopper Pipe and Handrail Brackets | 68" x 53" x 3" | 2013