About Karen

Baltimore City
Karen Warshal earned her MFA at Tufts University in conjunction with the Boston Museum School and her B.A at the University of Pennsylvania. Her interest and training in classical art began in 1988 when she studied at the Parker School of Structural Sculpture in Bethesda. She then spent several years in museums in Italy, Denmark and Hungary copying after the antique. In 1995, she came to Baltimore where she studied at the Schuler School of Fine Arts. Ms. Warshal teaches "Portrait Drawing" and "… more

Figures, 2002-2015

Drawing the human figure is central to the training of an artist. I did the painting "Il Pugilista" this past summer along with the drawing for it. There also are a few life drawings I've done over the years as well as a biblical painting. As you can see, I'm interested in the classical aesthetic in particular. In fact, one of these is a drawing of a sculpture in did in Italy.
  • molly-nude.jpg
    molly-nude.jpg
  • Consulting Cupid
    Consulting Cupid
    charcoal on handmade paper, 15" X 28"
  • seated female nude
    seated female nude
    charcoal on handmade paper, 16" X 21"
  • male nude
    male nude
    charcoal on handmade paper
  • Bathsheba
    Bathsheba
    oil on linen, 16" X 24"
  • sculpture
    sculpture
    charcoal on handmade paper, 16" X 24"
  • Resisting Temptation:  Joseph with the Wife of Potifar
    Resisting Temptation: Joseph with the Wife of Potifar
    oil on linen, 22" X 30" Joseph, turned both towards and away from the wife of Potiphar, seeks divine help as he struggles to resist temptation. Set in a contemporary interior, the story becomes personal and immediate. The bowl of perfect, untouched apples in the lower left confirms Joseph’s success at resistance.
  • La Pugilista, drawing
    La Pugilista, drawing
    graphite with sanguine and white on toned paper, 2015
  • Il Pugile
    Il Pugile
    oil on linen, 18" X 24", 2015

Portraits

Portraiture

I spent many years only drawing and doing sculpture in preparation for painting portraits. Here I have included five drawings and five paintings. All portraits were done from life in my studio, and all of the paintings were done with natural light. Portraiture is perhaps my favorite subject. There's nothing like watching a person's personality unfold on his or her face as you paint them. I've been teaching portraiture for years, and I always tell my students to watch for the small movements that lend expression to the sitter. If a snapshot captures a moment in time, the artist working from life has the opportunity to observe and document the inner person as it manifests itself over time.
  • Rick
    Rick
    Charcoal on paper, 20 X 27"
  • Pamela
    Pamela
    Oil on linen 16" X 20" 2007
  • John
    John
    Oil on panel 9" X 10" 2004
  • Christopher
    Christopher
    oil on linen, 12" X 16"
  • Ed Reading
    Ed Reading
    Oil on linen 16" X 20" 2008
  • Megan
    Megan
    Charcoal on handmade paper 15" X 17"
  • George
    George
    Charcoal on handmade paper 18" X 24" This is a portrait of my friend George, who sadly died last year at the age of 40. George was kind, creative, funny and one of the most unusual people I've ever known. He had the talent of making each person who knew him feel that they were special when he was with them. For his memorial, Sasha's restaurant closed on a Sunday and hosted a moving afternoon dedicated to George. The place was packed with people, all of whom were George's friends. I did this drawing several years ago, when George was living on the second floor of a Bolton Hill house and I was living on the first floor. The casual quality of the portrait is so George. The minute you met him, you felt you'd always known him. This is the only portrait I've ever done that has a bare foot in it.
  • Mike
    Mike
    Charcoal on handmade paper 16" X 20"
  • Andrew
    Andrew
    oil on linen, 18" X 24" 2010 This a portrait of my nephew Andrew who sat for me with great discipline. His bar mitzvah portion dealt with many episodes from the life of Abraham. The background is a copy of a detail of Peter Paul Ruben's "The Meeting of Abraham and Melchizedek" at the National Gallery of Art.
  • Conner
    Conner
    Charcoal on handmade paper, 16" X 20"

Still Life Paintings

Still Life Paintings

Working in the classical tradition as it was revived in the Renaissance, I take a flat surface and make it look three dimensional. That might be the most basic definition of classical painting. But a beautiful work of art is the sum of its parts, and there are several aspects of painting which interest me in particular. First, a carefully considered composition is the initial step in creating what I call "visual music". According to Pythagoras, the concept of numbers was the key to the universe. I have been carefully analyzing old master paintings for many years, and I have discovered a geometric system that I apply in my work. I have also studied organic form, both through drawing antique sculpture and through studying sculpture, and I always search for the true form of any organic object that I render. Finally, I find that the aforementioned form is best revealed in natural light. I am constantly struck by the beauty of light on form and the subtlety of value and color that it creates.
  • Lemons with shell
    Lemons with shell
    Oil on panel 9" X 12" 1998
  • Rose with Hanging Garlic
    Rose with Hanging Garlic
    Oil on panel 12" X 16" 2007
  • The Big Squash
    The Big Squash
    Oil on linen 22" X 30" 2007
  • Feet
    Feet
    Oil on linen 12" X 16" 2007
  • Still life with Blue Basket
    Still life with Blue Basket
    Oil on linen 9" X 12" 2006
  • Five Lemons
    Five Lemons
    Oil on panel 9" X 16" 2006
  • Hesiod and the Apple
    Hesiod and the Apple
    Oil on linen 16" X 20" 2008
  • Ode to a Greenish Urn
    Ode to a Greenish Urn
    Oil on panel 16" X 20" 2006
  • Pears with teapot and hanging garlic
    Pears with teapot and hanging garlic
    Oil on panel 14" X 20" 2008
  • Lemons with Green Vase
    Lemons with Green Vase
    Oil on linen 16" X 20" 2008

2009-2010

This group includes a variety of subjects: still lifes, biblical paintings, a bar mitzvah portrait and a drawing. Subject matter is important, but the true concerns of a painter are light, form, composition, value and color. The subject must be conveyed through this visual vocabulary.
  • Head of the Winesack Bearer
    Head of the Winesack Bearer
    graphite on paper, 15" X 20 2010 Last summer I taught a portraiture class at MICA. Watching my students do such beautiful drawings inspired me to do a highly finished pencil drawing. I've had this cast of the "Winesack Bearer" for many years and hadn't drawn it in a long time. Copying casts of Greek sculpture was how I learned to draw and the rigor involved in executing this drawing felt good.
  • Behind the White Curtain
    Behind the White Curtain
    oil on linen, 10" X 14" 2009
  • Still Life with Venetian Mask
    Still Life with Venetian Mask
    oil on linen, 12" X 16" 2009
  • A Funny Thing Happened on the Way to the Forum
    A Funny Thing Happened on the Way to the Forum
    Oil on linen, 16" X 20" 2009 I wanted to try something different than a traditional still life, so I borrowed a bunch of little statues from my friend Rick and created this scene. I love how the figures are together but don't really interact, and I love everything about antiquity. Can you tell who the central figure is supposed to be?
  • Queen Esther's Prayer
    Queen Esther's Prayer
    Oil on Linen, 22" X 30" 2010 This is the other biblical painting in this series. Queen Esther, who is the wife of Ahasueros, King of Persia, is an Israelite. Her cousin Mordechai has just come and asked her to go to the king to beg him to save their people. Mordechachai stands behind Esther with the decree that all the Jews will be killed. Approaching the king when it's not her turn poses great danger to Esther. Instead of relying on her worldly power and charms as symbolized by the crown and fur which have been cast aside, she kneels in prayer, relying on her faith. The resolution is depicted in the background: Haman, the author of the decree, is brought low by the king, and will eventually be hung.
  • Il Paragone
    Il Paragone
    oil on linen, 8" X 12" 2010
  • The Queen of Sheba:  Seeking Wisdom
    The Queen of Sheba: Seeking Wisdom
    Oil on Linen, 16" X 24" 2009 The Queen of Sheba visits Solomon because he's renowned for his wisdom as a judge. In this painting, the queen is looking at Solomon, symbolized by the balance in the mirror behind her. The basket with the white cloth is the basket of gifts she bears. The lions are attributes of royalty.
  • Andrew
    Andrew
    oil on linen, 18" X 24" 2010 This a portrait of my nephew Andrew who sat for me with great discipline. His bar mitzvah portion dealt with many episodes from the life of Abraham. The background is a copy of a detail of Peter Paul Ruben's "The Meeting of Abraham and Melchizedek" at the National Gallery of Art.

More Still Lifes

More still lifes....
  • Orange Beets
    Orange Beets
    oil on linen, 16" x 24", 2011
  • Lemons with White Cloth
    Lemons with White Cloth
    oil on linen, 12" X 14"
  • White Cup with Radishes
    White Cup with Radishes
    oil on panel, 8" x 12", 2011
  • All Alone
    All Alone
    oil on linen, 12" X 16"
  • L'abbondanza
    L'abbondanza
    oil on linen, 18" x 24", 2011
  • Unwrapped Fish
    Unwrapped Fish
    oil on panel, 12" X 16"
  • Pommodori e Broccoli
    Pommodori e Broccoli
    oil on panel, 12" X 16"
  • Standing Asparagus
    Standing Asparagus
    oil on linen, 9" X 13"
  • A Funny Thing Happened on the Way to the Forum
    A Funny Thing Happened on the Way to the Forum
    Oil on linen, 16" X 20" 2009 I wanted to try something different than a traditional still life, so I borrowed a bunch of little statues from my friend Rick and created this scene. I love how the figures are together but don't really interact, and I love everything about antiquity. Can you tell who the central figure is supposed to be?
  • Daffodils
    Daffodils
    Oil on panel, 9" X 12"

2012

A picture is worth a thousand words.
  • Noah
    Noah
    graphite with sanguine and white on toned paper, 2015
  • Madi with White Roses
    Madi with White Roses
    Oil on linen, 18" X 24"
  • Alexandra
    Alexandra
    oil on panel. 16" X 20", 2015
  • Girl with an Orange Scarf
    Girl with an Orange Scarf
    Oil on linen, 18" X 24"
  • Latrice  (in progress)
    Latrice (in progress)
    oil on linen, 14" X 14", 2015
  • 19-8.jpg
    19-8.jpg
  • The Queen of Sheba:  Seeking Wisdom
    The Queen of Sheba: Seeking Wisdom
    Oil on Linen, 16" X 24" 2009 The Queen of Sheba visits Solomon because he's renowned for his wisdom as a judge. In this painting, the queen is looking at Solomon, symbolized by the balance in the mirror behind her. The basket with the white cloth is the basket of gifts she bears. The lions are attributes of royalty.
  • Shirley
    Shirley
    graphite with sanguine and white on toned paper, 18" x 24", 2015
  • Wayne
    Wayne
    graphite with sanguine and white on toned paper, 18" x 24", 2014
  • Ryan
    Ryan
    oil on linen, 16" X 20"

still lifes

still lif paintings
  • flowers
    flowers
    oil on linen, 8" X 10"
  • Three Lemons with White Cup
    Three Lemons with White Cup
    oil on linen, 12" X 16"
  • Perch
    Perch
    oil on linen,12" X 12", 2015
  • Pommodori e Broccoli
    Pommodori e Broccoli
    oil on panel, 12" X 16"
  • Oranges and White Radishes
    Oranges and White Radishes
    oil on panel, 16" X 16"
  • Lemons and Eggs
    Lemons and Eggs
    oil on linen, 12" X 16", 2015
  • Cauliflower on a pedestal
    Cauliflower on a pedestal
    oil on panel, 14" X 14", 2015
  • Peppers and onion
    Peppers and onion
    oil on linen, 16" x 16', 2015
  • Lemon and Eggs with Mattia de Pretis
    Lemon and Eggs with Mattia de Pretis
    oil on panel, 8" X 10"
  • All Alone
    All Alone
    oil on linen, 12" X 16"

portraits, 2014-2015

Painting portraits is absolutely my favorite thing to do. There's nothing quite like the experience of capturing a person's personality as it reveals itself over time before my eyes in the studio.

I always work from life. For paintings, I usually meet with the model for a series of about five or six sessions. Drawings are much quicker.
  • Mason
    Mason
    graphite with sanguine and white on toned paper, 2015
  • Shirley
    Shirley
    graphite with sanguine and white on toned paper, 18" x 24", 2015
  • Wayne
    Wayne
    graphite with sanguine and white on toned paper, 18" x 24", 2014
  • elder-panera.jpg
    elder-panera.jpg
  • elder-christainson.jpg
    elder-christainson.jpg
  • Jenna
    Jenna
    graphite, sanguine heightened with white on toned paper, 2014
  • Paul
    Paul
    oil on panel, 16" X 20" sketch
  • 8x9-300dpi-final-warshal-woman-w-daisy-crop-005.jpg
    8x9-300dpi-final-warshal-woman-w-daisy-crop-005.jpg
  • Ryan
    Ryan
    oil on linen, 16" X 20"
  • 8x8-300dpi-final-warshal-woman-look-up-crop-001.jpg
    8x8-300dpi-final-warshal-woman-look-up-crop-001.jpg

Landscape and Interiors

Landscape and interiors
  • Fulton Theater
    Fulton Theater
    oil on prepared paper, 10" x 11", 2015
  • Clifton Mansion
    Clifton Mansion
    oil on prepared paper, 11" X 18", 2015 This is one of the oldest buildings in Baltimore. The second owner was Johns Hopkins (the man, not the school) and he transformed it into the Italianate mansion you see here. The most amazing thing I saw when painting it was the orange light that appeared in the portico at the end of the day.
  • My Living Room
    My Living Room
    oil on linen, 18" x 24"
  • Inside Brown Memorial
    Inside Brown Memorial
    oil on linen, 18" X 24", 2015

still lifes, 2014-2015

Ever since I attended the Schuler School almost 20 years ago, I've dreamt of having a north facing artist's skylight in my studio. This past year that dream came to fruition! All of the still lifes in this series have been done since April 2014 when I was finally able to paint under my new skylight.
  • Another Cauliflower
    Another Cauliflower
    oil on linen, 16" X 16"
  • Three Quinces
    Three Quinces
    oil on linen
  • Clementines
    Clementines
    oil on linen
  • White cloth with lionos
    White cloth with lionos
    oil on linen, 18" X 24"
  • Fragole e Pepperoncini Gialli
    Fragole e Pepperoncini Gialli
    oil on panel, 5" X 7"
  • Unwrapped Fish
    Unwrapped Fish
    oil on panel, 12" X 16"
  • Oranges with Cauliflower
    Oranges with Cauliflower
    oil on panel, 14" X 14"
  • Standing Asparagus
    Standing Asparagus
    oil on linen, 9" X 13"
  • Basket with Tomatoes
    Basket with Tomatoes
    oil on panel, 18" X 18"
  • White
    White
    oil on panel, 10" X 10" When I renovated my studio in 2013, I painted my studio walls a greenish gray that is both beautiful and elusive. I loved observing its effects on the white and transparent surfaces in this set-up.