About CJay

Baltimore City, Baltimore City - Station North A&E District

CJay Philip was born a multidisciplinary artist. Even as a child focusing on one thing was not for her and only left CJay unsatisfied, frustrated and crying in her crib. Mom always had to leave multiple toys and options to satisfy her budding desire to experiment and create.

Today, not much has changed. CJay is the artistic director of Dance & Bmore, a contemporary and theatrical dance company fusing movement, live vocals, spoken word, and original songs written by CJay to create… more

Youth Theatre

  • Directing at Centerstage
    Directing at Centerstage
    Directing a new piece with the Encounter students keeping with the themes of Marcus Gardley's new play, Dance of the Holy Ghost
  • Constriction no.6 (detail)
    Constriction no.6 (detail)
  • Carmen A Bigger Bounce
    A huge success theatrically and socially. A team of "experts" followed our six month program and filmed a documentary of the processes and impact on the youth involved. Apparently many of the Swiss teachers where against their students being cast and part of the program because they where "troubled kids" and under achievers who they felt should focus on their studies and not hip hop music and dance. What they found was a significant decrees in negative or disruptive outburst from these students over the next 3 months of school. I was later told by the social workers doing the study that they think the kids cleaned up their act because they really wanted to be a part of the production and didn't want to jeopardize getting kick out. I found it interesting that the educational community did not see the value of creative expression in their students lives (At first). We hope this revelation was not a one time thing.
  • Carmen A Bigger Bounce the Hip Hopera
    Carmen A Bigger Bounce the Hip Hopera
    An adaptation of Carmen. Book and libretto by CJay Hardy Philip (Translated to German), directed by CJay Hardy Philip, co-choreographer by CJay Hardy Philip and Kelvin Hardy. A cast of 30 teens along with a teen orchestra performed for sold out houses in Zurich Switzerland. Working with my brother who is also a choreographer was a life long dream of our mom and flying her to Zurich to see this production was a huge deal for both of us. I'd love to mount this production again with my brother here in 'the states'. With the right partners and producers it could be a powerful vehicle for art-education and dialogue.
  • Director/Choreographer of HOPE Story Tree Gang
    I was part of the original creative team of The Story Tree Gang which started as a sock puppet show at a HOPE clinic in south Philiy. Over the past 15years the program has grown into troupes of young performers throughout the USA combining music, dance, puppetry and comic story telling to address challenging issues facing todays youth. Conflict resolution, gang violence, healthy eating and literacy are all topics woven delicately together to reach and teach pre school and elementary school children. The Baltimore Story Tree Gang launched in 2010 has performed at two MLK Day events to address nonviolence in partnership with the Majors Office and the John Hopkins Center For Adolescent Health. Recently audiences at the Baltimore Book Festival watched rapping Grandma Dot as she took the grandkids on their first ever trip to the library in 'Read A Book'. The STG distributed nearly hundred free books to young audiences and new fans.

Community Movement

  • The Supremes
    The Supremes
    Singing, dancing and comedy bring Joy and Beautiful smiles at the holiday cabaret.
  • DAB at Waxter Senior Center
    DAB at Waxter Senior Center
    I love what Dance & Bmore gets to bring to Baltimore city. The work we do with families and seniors is so enriching. I learn something new every time I teach . They make me a better teacher and a better person. I want to pass a heart for community building onto my dancers. They are all so gifted and hard working
  • Mid Day Cabaret
    Mid Day Cabaret
  • Tea Party
    Tea Party
    Visiting the Senior Tea at the Village Learning Center for a creative movement class to classic Motown. So much fun
  • Tea Party
    Tea Party
    Visiting the Senior Tea at the Village Learning Center for a creative movement class to classic Motown. So much fun
  • Senior Tea Party
    Senior Tea Party
    Periodic visits to the Senior Tea at the Village Learning Center for a creative movement class to classic Motown. So much fun, just love them:)
  • Family Jam What!
    We created catchy songs to sing in class that I hoped would stick with the kids and remind them to dance with their parents at home...it Worked! Parents tell us all the time. "They sing the songs all week and we just dance and dance" :-) Here I am singing one of our class favorites.
  • Family Jam Logo
    Family Jam Logo
    I began this family dance class in Nov 2010 with just a few families. Along with the choreography, I created catchy songs that I hoped would stick with the kids and remind them to dance with their parents at home...it Worked! Parents tell us all the time. "They sing the songs all week and we just dance and dance" :-)
  • What it's all about
    Dance & Bmore is a Baltimore based dance company with a community based campaign to help families “Bmore” fit, fun, creative and connected. At the Dance & Bmore Family Jam parents get moving along with their children to gain better fitness, a better relationship, create positive memories and develop practical skills for healthy habits at home.
  • Humble beginnings
    This family dance class began in Nov 2010 with just a few families. Along with the choreography I created catchy songs that I hoped would stick with the kids and remind them to dance with their parents at home...it Worked! Parents tell us all the time. "They sing the songs all week and we just dance and dance" :-)

All The Way Live

CJay Philip, Dance & Bmore presents a new work that is part music concert, part theatrical production, part concert dance and All The Way Live! The live band and live singers and dancers set in a live radio broadcast debut an album of new music written by CJay that will take you back to what you love most about a live concert jam.
  • When We Were Young
    How does being in love change over time. Is it human nature to hold onto reflections of love in the past, when it was shiny and new.
  • The Single
    The title song off the ATWL CD
  • CD Release
    CD Release
    Contemporary dance company releases a CD May 19th 2013. A 6 song EP written and arranged specifically for their All The Way Live performance. Music and lyrics by CJay Philip produced by Winston Philip
  • Three in One
    LIVE: 1. (Adjective) Not dead or inanimate; living. Synonyms: alive, living, lively, vivid, active. 2. Relating to a musical performance given in concert 3. Of a broadcast- transmitted at the time of occurrence

TBAS an entertainment news series

The idea of creating an online entertainment news series came about in the Fall of 2011. I was at a round table about marketing and cross promotion in the arts community. The use of social media and traditional paper media was discussed for a while then I raised my hand and asked " What about television" you would have thought I dropped a stink bomb or something. I mean the face making, moaning and complaining was so deep. What I heard was disappointment and frustration. The feeling of being used as filler if theirs nothing better to report on and God forbid a storm or a scandal comes up cause then your "Bumped".

I went home and told my husband how hopeless these art professionals where about seeing themselves and their efforts aired regularly in a news media formate. I don't even think they saw themselves the way I did at the time but faithlessness was screaming a me and sucking the life out of the room. I walked home that day to clear my head. Artists are some of the most faithful people on the planet, believing in the unseen, having hope in the face of hopeless situation and taking seemingly nothing and turing it into something creative and magical. When we loose our ability to dream beyond what we see in the present, we are loosing the very soil that art grows from.

I decided to dream for all the broken spirits I felt in that room and day dreams turn to sketches on note pads and formats and catch phrases until the right one came out. The Baltimore Arts Scene...yeah that's what it will be. It's not about a show but about an energy and life that already exist and we are just capturing it to show it to people who maybe have never scene it before. I feel like one of those documentary scientist on National Geographic capturing mystical creatures in their natural habitat and sharing their stories and history in hopes they will not become extinct.
  • Episode 2 Summer Fun
    A Very fun episode with lots to see: Baltimore Hoop Love, The summer Arts Market and Open Walls Baltimore. I typically do the first round of editing but was traveling alot and our computer kept crashing so this took forever to finish. The real editor in the family was as patient as he could be but this one was the closest we've ever come to birthing a baby. It was sooo painful...but later so beautiful, at least to me.
  • Call Letters
    Call Letters
    TBAS The Baltimore Arts Scene
  • Art Lovers
    Art Lovers
    One of the goals of TBAS is to let art lovers know whats out there to experience and to inspire new audiences to share in the rich bounty of creative choices. This art lover shares her thoughts about the experience.
  • With Anne Fulwiler
    With Anne Fulwiler
    Former Artistic Director of Theatre Project gave us her thoughts on hosting dance at Theatre Project and highlights of their upcoming season.
  • Interviewing Kwame
    Interviewing Kwame
    Last year we shot a pilot featuring a Dancer Mixer held at Theatre Project. The new Artistic Director of Centerstage gave us his first impression of dance in Baltimore. A wonderful night of performances by seven of Baltimore's outstanding dance companies made quite an impression on Kwame Kwei Armah
  • Interviewing Kwame
    Interviewing Kwame
    Last year we shot a pilot featuring a Dancer Mixer held at Theatre Project. The new Artistic Director of Centerstage gave us his first impression of dance in Baltimore. A wonderful night of performances by seven of Baltimore's outstanding dance companies made quite an impression on Kwame Kwei Armah
  • About our Logo
    About our Logo
    The Baltimore Arts Scene is a new online entertainment news series which hopes to shine more light on the amazing things growing in Baltimore's diverse creative communities. Our goal is to enlighten and intrigue viewers in a way that stimulates a desire to venture out and experience the Baltimore arts scene for themselves. Cultivating new audiences and growing an appreciation among various creative circles is the dream and theme of our logo.
  • Introducing TBAS!
    The intro for a new online entertainment news series highlighting the ever growing and diverse creative arts scene in and around Baltimore. check out www.tbascene.com and follow us on fb and twitter

Director of Marvin's Trial

CJay Philip directed a new play by Max Garner based on the iconic fame and tragic death of Marvin Gaye. Marvin's Trial premiered at MICA's BBox Theatre in Dec of 2012 and was presented at the 2013 D.C. Black Theatre Festival. Both productions were a tremendous success.

Multidisciplinary Aspect- After thinking up the role of Music who's lines where all sung not spoken, CJay and the newly cast singer DeMerris had to come up with a vocal sound track that match the jumps in time period and style throughout the piece. As an added but subtle time indicator CJay designed the workshop costume plot with actors in shades of grey until 1969 but 1970 on all costumes were in color. This was not an easy task as the play was not at all linear but the talented cast rose to the challenge. CJay also wove accents of creative movement throughout.
  • Talk Backs Q&A
    Talk Backs Q&A
    For me it's just as important to ask the audience questions as it was for them to ask questions of us. It was such a diverse crowd and so interesting to hear what landed and what unfolded at different stages of discovery.
  • Talk Backs
    Talk Backs
    The premiere in Baltimore was followed by audience discussions which proved incredibly useful in the growth and direction of the piece.
  • Marvin's Muse
    Marvin's Muse
    Marvin and Music always together through the years.
  • Marvin Meets Music
    Marvin Meets Music
    When I originally read this script there were 12 characters played by 6 actors. I couldn't help but think someone was missing. I sensed another character and heard her voice throughout the piece and the life of Marvin Gaye. Writer Max Garner easily agreed to my suggestion of adding the role of Music to the cast of characters most influential in Marvin's life. Here we see her share a vision of their future together.
  • In The Beginning
    In The Beginning
    When I originally read this script there were 12 characters played by 6 actors. I couldn't help but think someone was missing. I sensed another character and heard her voice throughout the piece and the life of Marvin Gaye. Writer Max Garner easily agreed to my suggestion of adding the role of Music to the cast of characters most influential in Marvin's life. Here we see her introduced to Marvin by his father on the church piano.
  • Face to Face
    Face to Face
  • The Last Say
    The Last Say
    if you could say anything, one last time what would it be?
  • Marvin's Father on Trial
    Marvin's Father on Trial
    The Twilight Zone- to be on trail for the murder of your own son while thousands of his fans await the veridic just out side.
  • Rehearsal -the details
    Rehearsal -the details
    Theatre is work. focused, thoughtful, meaningful, life filling work.
  • What's Goin On
    What's Goin On
    So many questions surround the iconic life and tragic death of Marvin Gaye. My goal was not to answer them but to illuminate them in a way that revealed our own icons and paths toward tragic ends. The rest is up to you. This new work was workshopped in Baltimore Dec 2012 and premier at the DC Black Theatre Festival June 2013.

Voices & Choices

Voices & Choices premiere May of 2012 and continues evolve. Originally a structure improve piece paring poets with dancers who would embody their spoken word. I continued to discuss and explore with the company the voices that we each have in our own heads that influence the choices we make every day.

We wanted to allow the audience to participate in the piece bringing their own voice to words they chose or poetry pieces they'd read and see the influence their words make on the movement of the dancers or singer. We've also added improvisational singing to create songs, sounds and feelings from words chosen at random out of a small clay jar. It's as exciting for me as the singer as it is for the dancers and the audience because no one truly knows whats we will create together :-}
  • Spoken Words by CJay Philip
    Voices & Choices starts with this spoken word and live vocals to spark thoughts and questions about which voices influence the choices we make.
  • Voices & Choices
    Voices & Choices
    Are there voices hiding in your mind that never make a sound and why?
  • Voices & Choices debut
    Excerpts from the first incarnation of Voices & Choices
  • May I Have a Word
    May I Have a Word
    Random audience members choose words from this jar that become a song or a sound and a motivator of movement if a dancer so chooses.
  • The Value of What's Inside
    The Value of What's Inside
    Small, smooth, jar of mystery that just a few see inside and even fewer get to choose to draw from it's wisdom.
  • Voices & Choices Poem
    ...If voices are a spark, choices are the flame between here and there lie a rainbow of colorful mind games. The ice blue of a love gone cold, the amber shimmer of hope in what’s been told, The greens, the golds, the black dark as coal, the dripping red desire that eats at your soul...
  • Voices & Choices
    Creating concepts and direction for video is incredibly fulfilling. You devise a plan and layout all the while knowing it's gonna be food for the trash because after the shoot is done the stories that lay underneath the footage waiting to come out inevitable almost create themselves. Where you started is rarely what you end up with. It's one of the things I love about directing...the discovery.

Dance & Bmore Repertoire

Under the direction of Artistic Director CJay Philip, the Dance & Bmore ensemble creates a dynamic yet playful fusion of dance, poetry, live vocals and original music. Their rich and theatrical perfromance style engages audiences while heightening their social awareness.

Five pieces on video which include choreography, some original music and spoken word by CJay Philip:

1. The Birth; exploring the idea of a second birth. When is your creativity born? How is it nurtured and does it relate to community, conflict and lose.

2. Be More or Less; takes a painfully honest look at body image, personal examination and ownership.

3. Present Tense; a poem someone gave me written by a 14 year old boy...profound wisdom at such a young age intrigued me.

4. We Need You was inspired by a new play premiered at Centerstage and highlights the desire for the father figures or our lives at every stage of our own feminine evolution and/or revolution.

5. The piece 5 Minutes originally done in 2007 was set on Dance & Bmore for their debut concert May 2011
  • 5 Minutes
    The award winning piece 5 Minutes originally done in 2007 voted on by Broadways who's who and showcased for the League of Broadway Producers was set on Dance & Bmore for their debut concert May 2011 at Creative Alliance. There are no breaks in this piece, this is the real timing and the dancers do a fantastic job.
  • A New World
    A New World
    In The Birth CJay portrays the mother of creative creatures as they discover an intriguing yet sometimes dangerous world.
  • WOW -women of the world
    WOW -women of the world
    This is a photo from the WOW festival hosted by the BSO March 2012 at the Joseph Meyerhoff Symphony Hall. A highlight of this weekend of events was a Saturday night concert directed and choreographed by CJay Philip featuring Mary Chapin Carpenter, Rain Pryor, Dance & Bmore and over a hundred Baltimore artists.
  • Multiply Personalities
    Multiply Personalities
    This is a spring 2012 photo of some of the dancers in Dance & Bmore. One of the things I find interesting in the dance world is "typing" which is combining groups of dancers together based on common physical attributes. Typing can go beyond the physical to more abstract common bonds like style and energy. One of my tricks as I auditioned in NYC in my 20s was to keep my eye on the choreographer. Most where older (My current age) and had young spry assistants demonstrating. While everyone watched the assistant to get the counts and steps, I kept my eye on the choreographer (Who was barely moving). When it was time to show the combination I'd almost always get asked to stay and dance some more. I wasn't the strongest, most technically sound or flexible dancer in the room but I'd always get asked to stay. The secret to my success? (Long pause then look to the sides). In the short time we had to learn the movement, I spent most of it studying the movement of the choreographer then I would perform their movement as their younger self and they couldn't quite put their finger on why they thought I was so special...ego. Who doesn't like looking in a mirror and seeing themselves in their prime. Sometimes after I was hired they'd even say, "You remind me of myself back when I was dancing". Interesting how several very different people could see themselves in me, I was quite a chameleon (Shhh). Times are changing but back in the day so many companies had a "type". All the Graham girls looked alike, Cunningham, Limon boys etc. I'm older now but I fall into the same ego trip. I see myself in Every dancer in my company, no really. Now the thing is, since they are all so different, what does that tell you about me.
  • DAB Logo
    DAB Logo
    After choosing a company name with obvious double entendre, the not so obvious was what it should looked like. This was a fun few days of day dreaming and writing on napkins or scrap paper. I don't draw well but my graphic designer Brian Branch says he loves the written details I give to help solidify visual concepts (I think he's just being nice). First I got into my leotard and tights, stood against the bedroom wall holding in my stomach as my husband took the picture. Thirty minutes back and forth from pose to camera to see. I had my right leg curved around and crossing my left like an ampersand. Beads of sweat forming on my back, finally a, "Whew child, I think that's the best we gone get" We sit down on the coach and stare at all the shots... suddenly an epiphany! Another scrap paper sketch later and the limits to my flexibility are gone and out comes half dancers half &. I love it! Thanks Brian and Boo
  • The Voice of a Mother
    This post-show performance in the lobby at Centerstage was based on themes within a new work by Marcus Gardley, Dance of The Holy Ghost. It came from my interpretation of the relationships between a father, daughter and grandson.
  • Present Tense
    Poet -April Kersey Singer -DeMerris Dancer -CJay Philip Present Tense; a poem someone gave me written by a 14 year old boy...profound wisdom at such a young age intrigued me so I put this together.
  • Be More or Less
    Be More or Less; takes a painfully honest look at body image, our response and responsibility.
  • Rebirth
    When were you born and when was IT born? Two days so different indeed. The first here on earth, so common yet still miraculous as the first breath, the first cry, the first squint of the eye. The other more obscure in a place near the soul where creativity is born and first starts to grow... Cue music