About Maria
Maria Mendoza was born in Miami, Florida and is a multidisciplinary artist based in Baltimore, Maryland. She earned a BFA from the Maryland Institute College of Art. Maria’s work combines painting, printmaking, paper-engineering, pattern design and performance art.
She is influenced by astronomy, ritual, material construction, surface design, and the bold risk-taking and commitment learned from her training in aerial acrobatics.
Her current work, Transcentricity takes… more
She is influenced by astronomy, ritual, material construction, surface design, and the bold risk-taking and commitment learned from her training in aerial acrobatics.
Her current work, Transcentricity takes… more
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Transcentricity: Phase 1
Transcentricity is a series of mixed media collage paintings, which combines the abstract and the exact. The works are loose but controlled; improvised but calculated.
Phase 1 was completed for Fun-A-Day Baltimore 2014.
The work takes the form of multi-layered concentric circles constructed, cut and collaged from the artist's original paintings. Transcentricity combines painting, printmaking, and paper-engineering.
The work is developed from a process of simultaneous layering. Building and cycling through several pieces at a time, the cyclical process of creating is reflected and integrated in the final composition of multi-dimensional concentric circles.
The Process:
The artist works in a series of at least 15-30 pieces at a time. She works in multiples to stay loose and uses cutting as a form of detachment and destruction.
Why Circles?:
The circle is known as a universal symbol of unity. For Maria, this series of work began as a search for unity after breaking out of an artist's block that lasted years. The artist was seeking unity within herself, unity with her art and the unity within the process of creating the art - She wanted the same unity to be embodied within the final works themselves which is how the (concentric) circle motif emerged.
Inspiration:
Maria is influenced by astronomy, ritual, material construction, surface design, and the bold risk-taking and commitment learned from her training in aerial acrobatics.
Phase 1 was completed for Fun-A-Day Baltimore 2014.
The work takes the form of multi-layered concentric circles constructed, cut and collaged from the artist's original paintings. Transcentricity combines painting, printmaking, and paper-engineering.
The work is developed from a process of simultaneous layering. Building and cycling through several pieces at a time, the cyclical process of creating is reflected and integrated in the final composition of multi-dimensional concentric circles.
The Process:
The artist works in a series of at least 15-30 pieces at a time. She works in multiples to stay loose and uses cutting as a form of detachment and destruction.
Why Circles?:
The circle is known as a universal symbol of unity. For Maria, this series of work began as a search for unity after breaking out of an artist's block that lasted years. The artist was seeking unity within herself, unity with her art and the unity within the process of creating the art - She wanted the same unity to be embodied within the final works themselves which is how the (concentric) circle motif emerged.
Inspiration:
Maria is influenced by astronomy, ritual, material construction, surface design, and the bold risk-taking and commitment learned from her training in aerial acrobatics.
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Undimmed By Timeacrylic, dye, collage on paper 8 x 7 inches
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Unbound By Deathgouache, dye, collage on paper 8 x 7 inches
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Bleumontgouache, ink, tissue, collage on paper 10 x 7.5 inches
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Purple in the Morningacrylic, watercolor, glue, collage on paper 8 x 7 inches
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Passive Observersacrylic, ink, gesso, collage on paper 8 x 7 inches
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Once More Into the Frayink, gouache, glue, collage on paper 7 x 6 inches
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Terraformationacrylic, molding paste, charcoal, collage on paper 6.5 x 5.5 inches
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Threatened By Morning Lightink, tissue, envelope, collage on paper 7 x 5.5 inches
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Typhoonacrylic, gouache, charcoal, collage on paper 7 x 5.5 inches
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Cosmos Noiracrylic, ink, gesso, collage on paper 7 x 6 inches
Transcentricity: Phase 2
Transcentricity: Phase 2 was developed as an attempt to break away from "Chromophobia". Unlike the smaller scale works on paper of Phase 1, each piece in this series is 20x16 inches and is mounted onto 1.5" deep wood panel.
Transcentricity is a series of mixed media collage paintings, which combines the abstract and the exact. The works are loose but controlled; improvised but calculated.
The work takes the form of multi-layered concentric circles constructed, cut and collaged from the artist's original paintings. Transcentricity combines painting, printmaking, and paper-engineering.
The work is developed from a process of simultaneous layering. Building and cycling through several pieces at a time, the cyclical process of creating is reflected and integrated in the final composition of multi-dimensional concentric circles.
The Process:
The artist works in a series of at least 15-30 pieces at a time. She works in multiples to stay loose and uses cutting as a form of detachment and destruction.
Why Circles?:
The circle is known as a universal symbol of unity. For Maria, this series of work began as a search for unity after breaking out of an artist's block that lasted years. The artist was seeking unity within herself, unity with her art and the unity within the process of creating the art - She wanted the same unity to be embodied within the final works themselves which is how the (concentric) circle motif emerged.
Inspiration:
Maria is influenced by astronomy, ritual, material construction, surface design, and the bold risk-taking and commitment learned from her training in aerial acrobatics.
Transcentricity is a series of mixed media collage paintings, which combines the abstract and the exact. The works are loose but controlled; improvised but calculated.
The work takes the form of multi-layered concentric circles constructed, cut and collaged from the artist's original paintings. Transcentricity combines painting, printmaking, and paper-engineering.
The work is developed from a process of simultaneous layering. Building and cycling through several pieces at a time, the cyclical process of creating is reflected and integrated in the final composition of multi-dimensional concentric circles.
The Process:
The artist works in a series of at least 15-30 pieces at a time. She works in multiples to stay loose and uses cutting as a form of detachment and destruction.
Why Circles?:
The circle is known as a universal symbol of unity. For Maria, this series of work began as a search for unity after breaking out of an artist's block that lasted years. The artist was seeking unity within herself, unity with her art and the unity within the process of creating the art - She wanted the same unity to be embodied within the final works themselves which is how the (concentric) circle motif emerged.
Inspiration:
Maria is influenced by astronomy, ritual, material construction, surface design, and the bold risk-taking and commitment learned from her training in aerial acrobatics.
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Eternal Sunshineacrylic on paper, cut and collaged onto wood panel 20 x 16 x 1.5 inches
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Blue in the Afternoonacrylic on paper, cut and collaged onto wood panel 20 x 16 x 1.5 inches
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This Endless Space Betweenacrylic on paper, cut and collaged onto wood panel 20 x 16 x 1.5 inches
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The Relentless Beatingacrylic on paper, cut and collaged onto wood panel 20 x 16 x 1.5 inches
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A State of Constant Departureacrylic on paper, cut and collaged onto wood panel 20 x 16 x 1.5 inches
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A Half-Remembered Dreamacrylic on paper, cut and collaged onto wood panel 20 x 16 x 1.5 inches
Transcentricity: Phase 2.5
For Transcentricity: Phase 2.5, the artist continues to explore scale while developing more 20x16 inch pieces mounted onto 1.5" deep wood panel.
Transcentricity is a series of mixed media collage paintings, which combines the abstract and the exact. The works are loose but controlled; improvised but calculated.
The work takes the form of multi-layered concentric circles constructed, cut and collaged from the artist's original paintings. Transcentricity combines painting, printmaking, and paper-engineering.
The work is developed from a process of simultaneous layering. Building and cycling through several pieces at a time, the cyclical process of creating is reflected and integrated in the final composition of multi-dimensional concentric circles.
The Process:
The artist works in a series of at least 15-30 pieces at a time. She works in multiples to stay loose and uses cutting as a form of detachment and destruction.
Why Circles?:
The circle is known as a universal symbol of unity. For Maria, this series of work began as a search for unity after breaking out of an artist's block that lasted years. The artist was seeking unity within herself, unity with her art and the unity within the process of creating the art - She wanted the same unity to be embodied within the final works themselves which is how the (concentric) circle motif emerged.
Inspiration:
Maria is influenced by astronomy, ritual, material construction, surface design, and the bold risk-taking and commitment learned from her training in aerial acrobatics.
Transcentricity is a series of mixed media collage paintings, which combines the abstract and the exact. The works are loose but controlled; improvised but calculated.
The work takes the form of multi-layered concentric circles constructed, cut and collaged from the artist's original paintings. Transcentricity combines painting, printmaking, and paper-engineering.
The work is developed from a process of simultaneous layering. Building and cycling through several pieces at a time, the cyclical process of creating is reflected and integrated in the final composition of multi-dimensional concentric circles.
The Process:
The artist works in a series of at least 15-30 pieces at a time. She works in multiples to stay loose and uses cutting as a form of detachment and destruction.
Why Circles?:
The circle is known as a universal symbol of unity. For Maria, this series of work began as a search for unity after breaking out of an artist's block that lasted years. The artist was seeking unity within herself, unity with her art and the unity within the process of creating the art - She wanted the same unity to be embodied within the final works themselves which is how the (concentric) circle motif emerged.
Inspiration:
Maria is influenced by astronomy, ritual, material construction, surface design, and the bold risk-taking and commitment learned from her training in aerial acrobatics.
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Artwork Installation at Sprout Salon in HampdenView from outside
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Artwork Installation at Sprout Salon in HampdenView from inside
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Adaptationacrylic on paper, cut and collaged onto wood panel 20 x 16 x 1.5 inches
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Nebulousacrylic on paper, cut and collaged onto wood panel 20 x 16 x 1.5 inches
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Mercurialacrylic on paper, cut and collaged onto wood panel 20 x 16 x 1.5 inches
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Vernalacrylic on paper, cut and collaged onto wood panel 20 x 16 x 1.5 inches
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Nautical Sunriseacrylic on paper, cut and collaged onto wood panel 20 x 16 x 1.5 inches
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Precambrianacrylic on paper, cut and collaged onto wood panel 20 x 16 x 1.5 inches
Transcentricity: Phase 3
Transcentricity: Phase 3 was completed for Fun-A-Day Baltimore 2015. Unlike the previous phases, works in this series contain asymmetrical compositions. Each piece is 10x8 inches mounted onto 1.5" deep wood panel.
Transcentricity is a series of mixed media collage paintings, which combines the abstract and the exact. The works are loose but controlled; improvised but calculated.
The work takes the form of multi-layered concentric circles constructed, cut and collaged from the artist's original paintings. Transcentricity combines painting, printmaking, and paper-engineering.
The work is developed from a process of simultaneous layering. Building and cycling through several pieces at a time, the cyclical process of creating is reflected and integrated in the final composition of multi-dimensional concentric circles.
The Process:
The artist works in a series of at least 15-30 pieces at a time. She works in multiples to stay loose and uses cutting as a form of detachment and destruction.
Why Circles?:
The circle is known as a universal symbol of unity. For Maria, this series of work began as a search for unity after breaking out of an artist's block that lasted years. The artist was seeking unity within herself, unity with her art and the unity within the process of creating the art - She wanted the same unity to be embodied within the final works themselves which is how the (concentric) circle motif emerged.
Inspiration:
Maria is influenced by astronomy, ritual, material construction, surface design, and the bold risk-taking and commitment learned from her training in aerial acrobatics.
Transcentricity is a series of mixed media collage paintings, which combines the abstract and the exact. The works are loose but controlled; improvised but calculated.
The work takes the form of multi-layered concentric circles constructed, cut and collaged from the artist's original paintings. Transcentricity combines painting, printmaking, and paper-engineering.
The work is developed from a process of simultaneous layering. Building and cycling through several pieces at a time, the cyclical process of creating is reflected and integrated in the final composition of multi-dimensional concentric circles.
The Process:
The artist works in a series of at least 15-30 pieces at a time. She works in multiples to stay loose and uses cutting as a form of detachment and destruction.
Why Circles?:
The circle is known as a universal symbol of unity. For Maria, this series of work began as a search for unity after breaking out of an artist's block that lasted years. The artist was seeking unity within herself, unity with her art and the unity within the process of creating the art - She wanted the same unity to be embodied within the final works themselves which is how the (concentric) circle motif emerged.
Inspiration:
Maria is influenced by astronomy, ritual, material construction, surface design, and the bold risk-taking and commitment learned from her training in aerial acrobatics.
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Sonaracrylic and dye on paper, cut and collaged onto wood panel 10 x 8 x 1.5 inches
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Creatureacrylic and dye on paper, cut and collaged onto wood panel 10 x 8 x 1.5 inches
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Tribeacrylic on paper, cut and collaged onto wood panel 10 x 8 x 1.5 inches
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The Bicycle Thiefacrylic on paper, cut and collaged onto wood panel 10 x 8 x 1.5 inches
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Portalacrylic on paper, cut and collaged onto wood panel 10 x 8 x 1.5 inches
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Pavo Cristatusacrylic on paper, cut and collaged onto wood panel 10 x 8 x 1.5 inches
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Zen Jungleacrylic on paper, cut and collaged onto wood panel 10 x 8 x 1.5 inches
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Moonlight Mossacrylic on paper, cut and collaged onto wood panel 10 x 8 x 1.5 inches
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Indigo Risingacrylic on paper, cut and collaged onto wood panel 10 x 8 x 1.5 inches
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The Cipheracrylic on paper, cut and collaged onto wood panel 10 x 8 x 1.5 inches
Transcentricity: Woven Paintings
This works in this series are "woven paintings". Concentric circles were cut from a series of painted paper and woven back into the painted backgrounds. Unlike the previous Phases of Transcentricity, the woven elements in this series create a "tactile" surface for the final compositions. Each painting is named after a Norse god or goddess.
Transcentricity is series of mixed media collage paintings, which combines the abstract and the exact. The works are loose but controlled; improvised but calculated.
The work takes the form of multi-layered concentric circles constructed, cut and collaged from the artist's original paintings. Transcentricity combines painting, printmaking, and paper-engineering.
The work is developed from a process of simultaneous layering. Building and cycling through several pieces at a time, the cyclical process of creating is reflected and integrated in the final composition of multi-dimensional concentric circles.
The Process:
The artist works in a series of at least 15-30 pieces at a time. She works in multiples to stay loose and uses cutting as a form of detachment and destruction.
Why Circles?:
The circle is known as a universal symbol of unity. For Maria, this series of work began as a search for unity after breaking out of an artist's block that lasted years. The artist was seeking unity within herself, unity with her art and the unity within the process of creating the art - She wanted the same unity to be embodied within the final works themselves which is how the (concentric) circle motif emerged.
Inspiration:
Maria is influenced by astronomy, ritual, material construction, surface design, and the bold risk-taking and commitment learned from her training in aerial acrobatics.
Transcentricity is series of mixed media collage paintings, which combines the abstract and the exact. The works are loose but controlled; improvised but calculated.
The work takes the form of multi-layered concentric circles constructed, cut and collaged from the artist's original paintings. Transcentricity combines painting, printmaking, and paper-engineering.
The work is developed from a process of simultaneous layering. Building and cycling through several pieces at a time, the cyclical process of creating is reflected and integrated in the final composition of multi-dimensional concentric circles.
The Process:
The artist works in a series of at least 15-30 pieces at a time. She works in multiples to stay loose and uses cutting as a form of detachment and destruction.
Why Circles?:
The circle is known as a universal symbol of unity. For Maria, this series of work began as a search for unity after breaking out of an artist's block that lasted years. The artist was seeking unity within herself, unity with her art and the unity within the process of creating the art - She wanted the same unity to be embodied within the final works themselves which is how the (concentric) circle motif emerged.
Inspiration:
Maria is influenced by astronomy, ritual, material construction, surface design, and the bold risk-taking and commitment learned from her training in aerial acrobatics.
Transcentricity: Phase 4
In Phase 4, the artist takes Transcentricity to its largest scale while exploring printmaking techniques using homemade printing plates for many of the painted layers. The color palette in this series combines earth tones and metallics with the darker monochromatic colors used in Phase 1.
Transcentricity is a series of mixed media collage paintings, which combines the abstract and the exact. The works are loose but controlled; improvised but calculated.
The work takes the form of multi-layered concentric circles constructed, cut and collaged from the artist's original paintings. Transcentricity combines painting, printmaking, and paper-engineering.
The work is developed from a process of simultaneous layering. Building and cycling through several pieces at a time, the cyclical process of creating is reflected and integrated in the final composition of multi-dimensional concentric circles.
The Process:
The artist works in a series of at least 15-30 pieces at a time. She works in multiples to stay loose and uses cutting as a form of detachment and destruction.
Why Circles?:
The circle is known as a universal symbol of unity. For Maria, this series of work began as a search for unity after breaking out of an artist's block that lasted years. The artist was seeking unity within herself, unity with her art and the unity within the process of creating the art - She wanted the same unity to be embodied within the final works themselves which is how the (concentric) circle motif emerged.
Inspiration:
Maria is influenced by astronomy, ritual, material construction, surface design, and the bold risk-taking and commitment learned from her training in aerial acrobatics.
Transcentricity is a series of mixed media collage paintings, which combines the abstract and the exact. The works are loose but controlled; improvised but calculated.
The work takes the form of multi-layered concentric circles constructed, cut and collaged from the artist's original paintings. Transcentricity combines painting, printmaking, and paper-engineering.
The work is developed from a process of simultaneous layering. Building and cycling through several pieces at a time, the cyclical process of creating is reflected and integrated in the final composition of multi-dimensional concentric circles.
The Process:
The artist works in a series of at least 15-30 pieces at a time. She works in multiples to stay loose and uses cutting as a form of detachment and destruction.
Why Circles?:
The circle is known as a universal symbol of unity. For Maria, this series of work began as a search for unity after breaking out of an artist's block that lasted years. The artist was seeking unity within herself, unity with her art and the unity within the process of creating the art - She wanted the same unity to be embodied within the final works themselves which is how the (concentric) circle motif emerged.
Inspiration:
Maria is influenced by astronomy, ritual, material construction, surface design, and the bold risk-taking and commitment learned from her training in aerial acrobatics.
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Transcentricity Solo Exhibition at the Sitar Arts CenterMaria Mendoza was awarded a Solo Exhibition at the Sitar Arts Center in Washington, D.C. as the winner of the 1st place prize in the Fall 2014 Juried Exhibition - In Movement.
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Transcentricity Solo Exhibition at the Sitar Arts CenterMaria Mendoza was awarded a Solo Exhibition at the Sitar Arts Center in Washington, D.C. as the winner of the 1st place prize in the Fall 2014 Juried Exhibition - In Movement.
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Nostalgiaacrylic on paper, cut and collaged 25.5 x 21.25 inches
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Transcendent Guardianacrylic on paper, cut and collaged 36.25 x 28.5 inches
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Boundlessacrylic on paper, cut and collaged 34.25 x 26 inches
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Interwoven Protectoracrylic on paper, cut and collaged 36.25 x 26 inches
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Mauritaniaacrylic on paper, cut and collaged 36.25 x 28.5 inches
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A Compromise in Scienceacrylic on paper, cut and collaged 24 x 20 inches
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Technological Extinctionacrylic on paper, cut and collaged 24 x 20 inches