Work samples

  • The bridge was orange and they skiied barefoot the summer of 64
    The bridge was orange and they skiied barefoot the summer of 64
    oil on canvas, 30x40, 2021
  • Artifacts
    Artifacts
    oil on canvas, 30x48, 2021
  • Heart Strings
    Heart Strings
    oil on canvas, 30x40, 2021
  • A House Is Not A Home
    A House Is Not A Home
    oil on canvas, 18x24, 2022

About Nechama

Baltimore City

Born in Lake Wales, Florida, Nechama Topper lived in Hollywood, Florida; Atlanta, Georgia; Birmingham, Alabama; and she currently lives and works in Baltimore City. She attended Florida State University, earned her BFA from the University of Alabama at Birmingham, and her MA from Towson University. She worked at the Aside Gallery Studios in the Station North Arts District and now works in a private studio in northwest Baltimore City.

Home Sweet Home, 2022

My most recent work considers the changing connotations of the word "home" over a lifetime. These paintings and drawings also reflect the sense of loss connected with aging and mortality.
  • Heart Strings
    Heart Strings
    oil on canvas, 30x40, 2021
  • When You Leave I Shall Grieve
    When You Leave I Shall Grieve
    graphite on paper, 8.5x11, 2022
  • Living In The Cukoo Cloud
    Living In The Cukoo Cloud
    oil on canvas, 36x40, 2022
  • Better Homes and Gardens in the Sky
    Better Homes and Gardens in the Sky
    oil on canvas, 30x36, 2022
  • Home Is Where the Heart Breaks
    Home Is Where the Heart Breaks
    pastel on paper, 24x18, 2022
  • A House Is Not A Home
    A House Is Not A Home
    oil on canvas, 24x18, 2022
  • Home Sweet Home
    Home Sweet Home
    acrylic on canvas, 14x22, 2022

Nechama Topper - Paintings 2020-2021

Alll these paintings focus on color and color relationships as well as revealing stories about my inner life.
  • Holey Hearts Fan.jpeg
    Holey Hearts Fan.jpeg
    acrylic on canvas, 21x20, 2021
  • Popsicle Parade.jpeg
    Popsicle Parade.jpeg
    acrylic on canvas, 12x24, 2021
  • Depending On Your Perspective.jpg
    Depending On Your Perspective.jpg
    acrylic on canvas, 24x18, 2021
  • Popsicles.jpeg
    Popsicles.jpeg
    acrylic on canvas, 24x18, 2021
  • The bridge was orange and they skiied barefoot the summer of 64
    The bridge was orange and they skiied barefoot the summer of 64
    oil on canvas, 30x40, 2021
  • Artifacts
    Artifacts
    oil on canvas, 30x48, 2021
  • Bridges.JPEG
    Bridges.JPEG
    oil on canvas, 18x24, 2021

Nechama Topper - Works on Paper 2020-2021

This collection contains works in various media on paper.
  • Candy Stripers.jpeg
    Candy Stripers.jpeg
    acrylic on watercolor paper, 24x18, 2021
  • Fudgesicles.jpg
    Fudgesicles.jpg
    pastel on paper, 18x18, 2021
  • I don't know whether to laugh or scream..JPEG
    I don't know whether to laugh or scream..JPEG
    oil on watercolor paper, 9x12, 2021
  • Swimming In Different Seas.jpg
    Swimming In Different Seas.jpg
    oil on watercolor paper, 24x18, 2021
  • Two Lane Blacktop.jpg
    Two Lane Blacktop.jpg
    oil on watercolor paper, 24x18, 2021
  • Moon Lodges.jpg
    Moon Lodges.jpg
    oil on watercolor paper, 24x18, 2021
  • IMG_0682.JPEG
    IMG_0682.JPEG
    melted colored wax and gold marker on watercolor paper, 12x9, 2021
  • IMG_0744.JPEG
    IMG_0744.JPEG
    colored pencil on paper, 8x4, 2021

Nechama Topper - Paintings 2011 - 2020

Paintings 2011 - 2020

The idea of art as a division of the two-dimensional surface into areas of shape and color rather than the representation of a three-dimensional world in two-dimensions, along with an acquired personal iconography, has become the focus of my paintings since around 1988. The often brightly-colored paintings began to reference the hard-edged, geometric look of the artwork of the 1950s and 1960s, while the iconography continued the feminist story that began in my earlier paintings and drawings. I do return to illusionism periodically  because I enjoy drawing, and I enjoy drawing with color, especially landscapes based on my travels around the US. These drawings and paintings often produce images that enter my iconic lexicon and appear in my graphic-style work.
  • Not the Grandest Teton
    Not the Grandest Teton
    Not the Grandest Teton, 2016, oil on canvas, 20x30
  • Umbagog Lake NH
    Umbagog Lake NH
    Umbagog Lake NH, 2019, oil on canvas, 20x30
  • Antelope Island UT
    Antelope Island UT
    Antelope Island UT, 2019, oil on canvas, 24x36
  • Second Generation Fragments
    Second Generation Fragments
    Second Generation Fragments, 2019, oil on canvas, 12x18 (sold)
  • Five Feet of Heaven and a Marlboro Man
    Five Feet of Heaven and a Marlboro Man
    Five Feet of Heaven and a Marlboro Man, 2019, acrylic on canvas, 12x24
  • Wedding March
    Wedding March
    Wedding March, 2019, acrylic on canvas, 36x24
  • It's Congenital
    It's Congenital
    It's Congenital, 2020, flashe on canvas, 18x24
  • Bird Fan
    Bird Fan
    Bird Fan, 2020, acrylic on canvas, 24×30
  • Hand Fan
    Hand Fan
    Hand Fan, 2020, acrylic on canvas, 48×60
  • Fall Fan
    Fall Fan
    Fall Fan, 2020, acrylic on canvas, 18x24 Third painting of the "Fan" series using personal iconography against a fan-shaped colored ground.

Nechama Topper - Paintings 1988 - 2010

Paintings 1988 - 2010

One day a fellow entered my studio and asked what I was doing; my joking response was, "Dividing the canvas into areas of shape and color."  In time, however, the idea of art as a division of the two-dimensional surface into areas of shape and color rather than the representation of a three-dimensional world in two-dimensions, along with an acquired personal iconography, became the focus of my paintings for the next twenty years. The often brightly-colored paintings began to reference the hard-edged, geometric look of the artwork of the 1950s and 1960s, while the iconography continued the feminist story that began in my earlier paintings and drawings.
  • That's Why They Call It The Blues.jpg
    That's Why They Call It The Blues.jpg
    That's Why They Call It The Blues, 1989, oil on canvas, 35.5x72 (sold)
  • The Head and Hands are the Most Important Part of Any Portrait.JPG
    The Head and Hands are the Most Important Part of Any Portrait.JPG
    The Head and Hands are the Most Important Part of Any Portrait, 1988, oil on canvas, 24x72 (sold)
  • Flowers On Parade.jpg
    Flowers On Parade.jpg
    Flowers On Parade, 1990, oil on canvas, 24x30
  • Jacks.jpg
    Jacks.jpg
    Jacks, 1995, oil on canvas, 14x18
  • Jacks Is A Game For Little Girls.jpg
    Jacks Is A Game For Little Girls.jpg
    Jacks Is A Game For Little Girls, 1995, oil on canvas, 20x22
  • Growing In The Dark.jpg
    Growing In The Dark.jpg
    Growing In The Dark, 1995, oil on canvas, 14x18
  • Reinforcements.jpg
    Reinforcements.jpg
    Reinforcements, 1995, oil on canvas, 28x30
  • NightScape.jpg
    NightScape.jpg
    NightScape, 2009, oil on canvas, 24x30
  • The Snow In Ireland.JPG
    The Snow In Ireland.JPG
    The Snow In Ireland, 30x30, oil on canvas, 2010
  • Juggling Behind the Fence.jpg
    Juggling Behind the Fence.jpg
    oil on canvas, 30x30, 2010

Nechama Topper - Paintings 1985 - 1987

Paintings 1985 - 1987
These paintings form the underpinnings of the iconography that has repeated over the years. After this series of paintings, the imagery became flat areas of shape and color, devolving into a hard-edged, graphic/geometric style.
  • Body Parts.JPG
    Body Parts.JPG
    Body Parts, 1985, oil on canvas, 24x36 (sold)
  • Marlboro Man I 30x30.jpg
    Marlboro Man I 30x30.jpg
    Marlboro Man I, 1985, oil on canvas, 30x30
  • Marlboro Man II 24x36.jpg
    Marlboro Man II 24x36.jpg
    Marlboro Man II, 1985, oil on canvas, 24x36
  • Radio City 23x40.jpg
    Radio City 23x40.jpg
    Radio City, 1985, oil on canvas, 23x40
  • Tellervision 30x36.jpg
    Tellervision 30x36.jpg
    Tellervision, 1986, oil on canvas, 30x36
  • Knocking on Heaven's Gate 28x32.jpg
    Knocking on Heaven's Gate 28x32.jpg
    Knocking on Heaven's Gate, 1986, oil on canvas, 28x32
  • Window Dressing 28x32.jpg
    Window Dressing 28x32.jpg
    Window Dressing, 1986, oil on canvas, 28x32
  • Fragments.jpg
    Fragments.jpg
    Fragments, 1986, oil on canvas, 12x18
  • Clouds of Glory - Flower of My Youth 36x36.jpg
    Clouds of Glory - Flower of My Youth 36x36.jpg
    Clouds of Glory, Flower of My Youth, 1986, oil on canvas, 36x36

Nechama Topper - Works on Paper 2008-2020

Works on Paper 2008  - 2020
  • Twisted Sisters
    Twisted Sisters
    Twisted Sisters, 2020, pastel on paper, 18×24
  • Dauphin Island AL
    Dauphin Island AL
    Dauphin Island AL, 2020, pastel on paper, 24x18 Memories of our travels through the southeastern US.
  • Three White Trees
    Three White Trees
    Three White Trees, 2020, pastel on paper, 18×24
  • One White Tree Mississippi River Road
    One White Tree Mississippi River Road
    One White Tree Mississippi River Road, 2020, pastel on paper, 24x18 A memory from our travels through the southeastern US.
  • Next Generation Fragments
    Next Generation Fragments
    Next Generation Fragments, 2019, pastel on paper, 18x24
  • Plant
    Plant
    Plant, 2019, graphite on paper, 24x18
  • Bridges
    Bridges
    Bridges, 2008, graphite on paper, 18x24 The patterns formed by the architectural structure in the covered bridges found all over the New England states inspired this drawing.
  • City Above and Below
    City Above and Below
    City Above and Below, 2008, graphite on paper, 15x22
  • Weighed Down by Memories
    Weighed Down by Memories
    Weighed Down By Memories, 2008, graphite on paper, 22x30 (sold)
  • Mt. Rushmore With My Dog
    Mt. Rushmore With My Dog
    Mt. Rushmore With My Dog, 2008, graphite and wax crayon on paper, 8x10 (sold)

Works on Paper 1986

These early works include figure studies showing my love of drawing the human form, and prints which form the beginings of my iconographic imagery.
  • Fences_1.jpg
    Fences_1.jpg
    Fences, 1986, collograph, 24x18 (sold)
  • Separations II-sold_1.jpg
    Separations II-sold_1.jpg
    Separations II, 1986, etching on paper, 12×9 (sold)
  • A Bigger Bite.jpg
    A Bigger Bite.jpg
    A Bigger Bite, 1986, etching on paper, 14×18
  • Male Figure 1-sold.jpg
    Male Figure 1-sold.jpg
    Male Figure, 1986, black and white conte on paper, 18×24 (sold)
  • Male Figure 2.jpg
    Male Figure 2.jpg
    Male Figure, 1986, charcoal on paper, 18×24
  • The Rock - With Fruit-sold.jpg
    The Rock - With Fruit-sold.jpg
    Figure with Fruit Basket, 1986, colored conte on paper, 18×24 (sold)
  • The Rock 2.jpg
    The Rock 2.jpg
    Figure Study, 1986, graphite on paper, 24×36 (sold)
  • The Rock 3.jpg
    The Rock 3.jpg
    Figure Study, 1986, red and black conte on paper, 24×36
  • The Rock 4.jpg
    The Rock 4.jpg
    Figure Study, 1986, black and white conte on paper, 24×36 (sold)
  • The Rock.jpg
    The Rock.jpg
    Figure Study, 1986, ink wash on paper, 24×36